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Archive for the ‘Music News’ Category

Miguel Reveals More Details About Next Batch Of ‘Art Dealer Chic’ EPs, Including Release Schedule

bb8a916bb86c1fae74e231540acafd85 Miguel Reveals More Details About Next Batch Of ‘Art Dealer Chic’ EPs, Including Release Schedule

Before landing a flying scissor kick on two unsuspecting fans at the Billboard Music Awards on Sunday (May 19), Miguel hit up the pre-show blue carpet to talk about his next batch of Art Dealer Chic EPs. If you’ll recall, the singer first released three free EPs with that title in 2012 ahead of Kaleidoscope Dream, and earlier this year he promised he’d have three more installments. Speaking with Billboard, he confirmed that the next three volumes will be free, and that they should drop in July, August and September, respectively.

The one twist this time around (other than Miguel’s newfound fame) is that the releases are coming in conjunction with some chic threads designed by the singer himself. So now you can literally let Miguel adorn you.



 

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Lil Wayne & T.I. Cruise Around Miami In “Wit Me” Video: Watch

9be9b29e4dc11c4c2bd05b3026e8f2ce Lil Wayne & T.I. Cruise Around Miami In “Wit Me” Video: Watch

T.I. and Lil Wayne take Miami by storm in the video for “Wit Me,” their new collaboration building buzz for their joint America’s Most Wanted tour. The video was directed by Philly FlyBoy, and finds the rappers cruising South Florida on land and on water in fast cars and fast boats, like a modern day Crockett and Tubbs from Miami Vice, except without all that distracting cop work.

Check it out up top. We know Weezy keeps saying he’s fine, but it’s good to see him bouncing around and yelping like a giddy child.



 

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Pharrell Channels Cee Lo Green For “Happy”: Hear His ‘Despicable Me 2′ Track

dee2c470d9c4a983e8e45e529aa53401 Pharrell Channels Cee Lo Green For “Happy”: Hear His ‘Despicable Me 2′ Track

Pharrell dialed into smooth ’70s disco with Daft Punk on two Random Access Memories tracks, “Get Lucky” and “Lose Yourself to Dance.” But for his new solo track, “Happy,” Mr. Williams digs back a little bit further, to the ’60s. The result is a soulful, catchy little jaunt reminiscent of Cee Lo Green‘s recent work – all handclaps and singalongs and retro pop simplicity.

“Happy” is off the Despicable Me 2 soundtrack, which Pharrell co-produced with composer Heitor Pereira (Pharrell also helmed the music for the first film). Coincidentally, the super-producer teams up with Cee Lo on another one of the movie’s tracks. But you can hear the peppy solo cut below.

Pharrell – “Happy”

Alright Beyonce, the animated film soundtrack bar has been set for this summer. Your move.

The Despicable Me 2 soundtrack drops June 18.

[via Rolling Stone]



 

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Pop Goes The World: Globetrot With Oh Land, Margaret Berger, Katy Tiz, Lancelot & Kate Boy

ed487f19f478525e18ff37ca8c793088 Pop Goes The World: Globetrot With Oh Land, Margaret Berger, Katy Tiz, Lancelot & Kate Boy

Ahoy! Let’s go around the world, shall we? As per usual in this week’s round-up of Pop Goes the World, I’ve lassoed some Scandinavians (no surprise there) — the lovely Oh Land from Denmark, Eurovision contestant Margaret Berger (spoiler alert: she didn’t win; spoiler alert 2: she’s amazing) and Swedish alt-popsters Kate Boy — as well as the ultra-hip Sinead Harnett (via the UK) and an Australian DJ named Lancelot who’s positively royal.

Passports out? Cool. Let’s do it.



 

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Diplo Clarifies His Thoughts On Daft Punk’s ‘Random Access Memories’ Via Lengthy Facebook Letter

76d7377041cadd5d94c6e02b87a8e2af Diplo Clarifies His Thoughts On Daft Punk’s ‘Random Access Memories’ Via Lengthy Facebook Letter

Last week, Diplo posted a string of tweets offering up his unflattering thoughts on Daft Punk‘s Random Access Memories. We felt they were pretty entertaining, even though they were lightly jabbing an album which we enjoyed quite a lot. Daft Punk diehards didn’t find the comments so funny, though, and apparently stormed Diplo’s Twitter and Facebook to the point that the DJ-producer felt the need to respond.

Today (May 21), Diplo posted a letter clarifying his thoughts on RAM. ”My all time favorite daft punk song was ‘make love’ from the last album, not the bangers that you might expect but the subtlety of that record was amazing and i love the production on it[...] the new album i do like a lot as well.. my favorite song being doing it right with panda bear i think its my favorite tune of the year so far. i quite like the album .. my twitters were sarcastic.”

Diplo’s main issue with the album, then, was the cheesy, good vibin’ image of L.A. that it conjures. “I don’t want music that represents excessive blissed out easy listening. I grew up being forced to listen to hotel california[...] And Im also not into the white bearded rich malibu palm tree los angeles that it paints.. LA is great because its real and gritty so that just turned me off[...] this album was obviously for people that enjoy breazy walks with their pets and smoking cigarettes in malibu.. I do not.”

Head below to see more select quotes from the letter, and for Diplo’s subsequent tweet telling people not to read it.

On the Robots’ passionate fan base: “Their fans did blindly get moved and angry when someone doesn’t like their idol[...] No one boycotted pitchfork or philly weekly when they trashed the last major lazer album! where’s my navy!?! I’m joking i love bad reviews they make me work harder and think more.”

On DP’s disparagement of contemporary electronic music: “i agree with everything that daft punk said in the billboard interview…. thats exactly how i feel about mainstream edm as well.”

On blogs/media: ”I also know that nobody will post this letter on a news source.. But over 50 influential blogs and music wedbsites posted my twitter one liners… Within an hour Why? Because it was funny controversial and will bring readers into there site and hopefully drive up traffic.”

Read Diplo’s full post here.

What do you think of Diplo’s latest comments? Let us know with *your* comments below, or hit us up on Facebook and Twitter!



 

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Jonas Brothers To Perform At Miss USA Pageant, Nick Jonas To Co-Host

e346f5796c8d5899e74198dbe316fd1f Jonas Brothers To Perform At Miss USA Pageant, Nick Jonas To Co Host

We’re not gonna pretend like we know the difference between Miss USA and Miss America, but now we have a handy device to distinguish the two (for this year, at least): Miss USA is the one that will have a Jonas Brothers performance. The JoBros will try to get all the contestants at this year’s Miss USA pageant to put their pom poms down on June 16, and Nick Jonas is co-hosting the whole broadcast with Giuliana Rancic.

This performance comes about a month before the Bros head on a national tour, which should feature more new material from their forthcoming album. Head below to see their tweets with the Miss USA announcements.

 



 

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Carrie Underwood, Lady Antebellum & Keith Urban Added To 2013 CMT Music Awards Roster

971b2fac8425e55ef15850467307f421 Carrie Underwood, Lady Antebellum & Keith Urban Added To 2013 CMT Music Awards Roster

Carrie Underwood, Lady Antebellum and Keith Urban have joined the roster of country superstars performing at this year’s CMT Music Awards. Underwood adds this to her list of upcoming marquee TV appearances (The Sound of Music special and the Sunday Night Football theme song, both for NBC), while Lady Antebellum was recently seen performing on The Voice.

Darius Rucker, Florida Georgia Line, George Strait and Jason Aldean are confirmed to perform as well. In addition to his set, Aldean is sharing hosting duties with actress Kristen BellPreviously announced performers for the Nashville ceremony include Taylor Swift, Hunter HayesLittle Big TownLuke Bryan and the Pistol Annies.

The 2013 CMT Music Awards air live at 8 p.m. ET on June 5, and fan voting is underway.

[via MTV]



 

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Daft Punk’s ‘Random Access Memories’: Review Revue

567a00536675a6ad517e6a4fe9f1e723 Daft Punk’s ‘Random Access Memories’: Review Revue

In our own review of Daft Punk‘s much-hyped and uber-buzzed-about fourth album, we noted that “Random Access Memories is many things: a gamble, a Genesis scroll of Daft Punk’s musical DNA, a mesmerizing summation of their career to this point and a dynamic jumping-off point for the next phase of their creative evolution. Oh, and also, it’s fun.” And for the most part, online critics seem to agree that by abandoning the use of samples and digital technology this time around, the arbiters of French electro-pop have presented us with sonic, cerebral journey through time that is as thrilling as it is ambitious.

Head below for our roundup of what the Internet at large had to say about Daft Punk’s Random Access Memories.

:: Pitchfork gives the album high marks, and notes, “You never know, but my guess is that people will be listening to Random Access Memories a decade hence, just like we’re still listening to Discovery now. You’ll forget the YouTube interviews with the collaborators, you’ll forget the day they announced the suits, you’ll forget the day the ‘Get Lucky’ snippet leaked, you’ll forget every rumor, you’ll forget the SNL commercials. But the record will remain, something that channels the past but sounds like little else right now, an album about rediscovery that’s situated in the constantly-shifting present.”

:: SPIN conjured up these comparisons: “Here’s why ‘Touch’ is the album’s centerpiece: It sounds like the Muppets if Miss Piggy were Donna Summer and Kermit were Barry Gibb. Nodding to Cabaret and The Wiz, employing a children’s choir and a string section, spanning decades, moods, sonic textures, and varying degrees of decent musical judgment, ‘Touch’ epitomizes RAM‘s ambitions: grandiose to a fault, but hard not to love.”

:: The A.V. Club zeroes in on the duo’s mission with the record: “Random Access Memories is also an all-out war on the current single-song consumption model, striking right at the heart of the beast: Its only official pre-release was a single, inseparable album-long stream on iTunes, the platform that has nearly killed the album format in a barrage of 99-cent individual tracks. Indeed, if there’s one recent event in modern music that seems to have inspired the record, it’s the gargantuan mega-production that is Kanye West’s My Beautiful Dark Twisted Fantasy.”

:: Consequence Of Sound finds Daft Punk to be human after all: “This tale of robots yearning to live like men is a motif soldered throughout the group’s multimedia career. But with Random Access Memories, the robots have found their souls. All it took was razing the digital foundations that brought the group to fame in the first place.”

:: The New York Daily News calls the album exciting, but also says, “It offers such a bold leap ahead for its genre, it’s sad that the songs aren’t as strong as they could have been. None have the genius of peak dance hits. Ultimately, that leaves Memories more an admirable reach than a perfect realization.”

:: Says the Guardian, “With RAM – a masterpiece complete with flaws – Daft Punk have shone a laser beam into dark corners of the 70s and 80s and made them sing again, with timbres more human than ever before.”

:: The Huffington Post sums RAM up this way: “A heady mix of delayed gratification songs that push boundaries, Random Access Memories is the mirror image of its authors: mysterious, challenging, brave and a little bit crazy.”

What are your own thoughts on Daft Punk’s new album? Let us know below, or by hitting us up on Facebook and Twitter!



 

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Robin Thicke Tones It Down On “4 The Rest Of My Life”: Hear The New Ballad

2b37f8fe8aa0106a25b528d94d3fb2a8 Robin Thicke Tones It Down On “4 The Rest Of My Life”: Hear The New Ballad

Robin Thicke has dropped another Blurred Lines song, but unlike the bouncy, breezy title track or the buzzing “Give It to You,” this one is has no guest spots and no dance beats. “4 the Rest of My Life” is a blue-eyed soul ballad, the chorus riding along with a ’50s-style canned orchestra and eventually building to a guitar solo, as Thicke celebrates his (love) life sentence. So, yeah, time to break out those Justin Timberlake comparisons again.

It’s not as exciting as Thicke’s two prior cuts, but damn it’s a pretty listen. Hear it below.

Robin Thicke – “4 the Rest of My Life”

What do you think of Robin’s new ballad? Let us know below, or by hitting us up on Facebook and Twitter!



 

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Beyonce’s “Grown Woman”: Review Revue

b2ecbeb3bab9e9a1ad17f3c87210ca82 Beyonce’s “Grown Woman”: Review Revue

Well, a version of Beyonce‘s Timbaland-produced five-minute Pepsi jingle “Grown Woman” leaked last night, and it’s definitely good if you like tribal beats and the absence of a chorus (personally, I do), but not so great if you were expecting a big commercial single with a big commercial hook. Then again, it’s Beyonce, so she’s not really playing by anyone’s rules but her own. Maybe this is what commercial sounds like in 2013. Who knows.

Our own Carl Williott wrote that the song is “a frenetic, globetrotting dance track with a tribal rhythm, chants and a descending bass line,” which it certainly is — and critics seemed to steer clear of offering too much judgment, instead simply noting the production quirks. Perhaps they, too, fear the wrath of the BeyHive. Check their thoughts below.

:: Vulture felt that “listening to it is a lot more fun than watching shaky concert videos or soda commercials,” writing: “Lyrically, it’s a less grandiose continuation of ‘Run the World (Girls)’ — it’s also impossible to hear ‘bitches, I run this’ without thinking of non-single ‘Bow Down’ — but the beat certainly feels like new territory for Bey.

:: SPIN called it “a thrilling five minutes, winding up in an African-style percussion-and-vocal breakdown. The leak is better than nothing, and that ain’t bad at all.”

:: Slate thought the track was anthemic, writing: “To be a lead single from Beyoncé these days, you need four things: A syncopated, up-tempo beat, some stabs of brass or synths to go over it, a chorus of female shout-along voices (mostly Beyoncé’s), and a message of female empowerment.”

:: Fuse complimented the song’s production: “Musically, a chugging Afro-pop beat gives way to a full-blown African drum and vocal breakdown that will inevitably trigger numerous misplaced, but well-intentioned, “Wanna Be Startin’ Somethin’” references. But yeah, any excuse to have African drums on a mainstream dance-pop track is good enough for us.”

:: Elle dug the track and its female-empowerment message: “The soft reggae beat makes it a perfect dance song for sultry summer nights. Once again, queen Bey dictates that girls really do run the world.”

:: Said some commenter on a forum somewhere, “YASSSSSSS!!!! MY QUEEN IS SLAYING!!!” — probably. No, definitely. I’m sure of it.

What do you think of the critics’ reviews? Tell us in the comments below, or hit us up on Facebook and Twitter!



 

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